Tuned down 1/2-step

Comments: Gene offers no real surprises in this song. It's a driving rock
riff so he just doubles it. In the "chorus", or whatever to call it, he
mixes up the rhythms a little and also produces three variations.


Key:
/    = slide up
\    = slide down
b    = bend (whole step)
b^   = bend (1/2 step)
b^^  = bend (1 1/2 steps)
pb   = pre-bend
r    = release-bend
t    = tap with righthand finger
h    = hammer-on
p    = pull-off
~    = Vibrato
*    = Natural Harmonic
#(#) = Trill
**   = Artificial Harmonic
x    = Dead notes (no pitch)
P.M. = Palm mute (- -> underneath indicates which notes)
(\)  = Dive w\bar
(/)  = Release w\bar
Tp   = Tap w\plectrum



Rhythm Fig. 1a
                                              
Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|-----------------4-----------------2------------|
Eb|--------------4---------------2-----------------|


                                          
Gb|------------------------------------------------|
Db|-----------------7-----------------9------------|
Ab|--------------7---------------9-----------------|
Eb|------------------------------------------------|



Rhythm Fig. 1b
                                                   
Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--4--4--4--4--4--4-----4----4--4--4-------2/----|
Eb|--------------------4----------------2----------|


                                                   
Gb|------------------------------------------------|
Db|--7--7--7--7--7--7-----7----7--7--7-------9\----|
Ab|--------------------7----------------9----------|
Eb|------------------------------------------------|



Rhythm Fig. 2
                                                   
Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--4--4--4--4--4--4-----4----4--4--4-------2-----|
Eb|--------------------4----------------2----------|
   < - - - - - - - - - - - 2x - - - - - - - - - - >

                                                     
Gb|------------------------------------------------|
Db|--7--7--7--7--7--7--7--7--9--9--9--9--9--9--9\--|
Ab|------------------------------------------------|
Eb|------------------------------------------------|


                                                   
Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--4--4--4--4--4--4-----4----4--4--4-------2-----|
Eb|--------------------4----------------2----------|
   < - - - - - - - - - - - 3x - - - - - - - - - - >

                                                     
Gb|------------------------------------------------|
Db|--7--7--7--7--7--7--7--7--9--9--9--9--9--9--9\--|
Ab|------------------------------------------------|
Eb|------------------------------------------------|


                                                  
Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--4--4--4--4--4--4-----4----4--4----4----6------|
Eb|--------------------4---------------------------|



Rhythm Fig. 3a
                                                 
Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--7----7----7--7--7--7----7--7----7--7--7\------|
Eb|------------------------------------------------|


                                                    
Gb|------------------------------------------------|
Db|---------------------------------------------0--|
Ab|--2--2--2--2--2--------2----2--2----2--2--2-----|
Eb|-----------------4--2---------------------------|


                                                   
Gb|------------------------------------------------|
Db|--2----2----2-----------------------------------|
Ab|---------------4--2-----------------------------|
Eb|---------------------0----0--0--0--0--0--0--0---|


                                               
Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|------------------------------------------------|
Eb|--2--2--2--2--2--2--2--2--4---------------------|



Rhythm Fig. 3b
                                                 
Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--7----7----7--7--7--7----7--7----7--7--7\------|
Eb|------------------------------------------------|


                                                    
Gb|------------------------------------------------|
Db|------------------------------------------0--1--|
Ab|--2--2--2--2--2-----------2----2----2--2--------|
Eb|-----------------4--2--4------------------------|


                                                   
Gb|------------------------------------------------|
Db|--2----2----2-----------------------------------|
Ab|---------------4--2-----------------------------|
Eb|---------------------0----0--0--0--0--0--0--0---|


                                               
Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|------------------------------------------------|
Eb|--2--2--2--2--2--2--2--3--4---------------------|



Rhythm Fig. 3c
                                                 
Gb|------------------------------------------------|
Db|--2----2----2--2--2----2----2----2--2--2--0-----|
Ab|------------------------------------------------|
Eb|------------------------------------------------|


                                                   
Gb|------------------------------------------------|
Db|--------------------------------------------0---|
Ab|--2--2--2----2--2--2-----2----2----2--2--2------|
Eb|----------------------2-------------------------|


                                                   
Gb|------------------------------------------------|
Db|--2----2----2-----------------------------------|
Ab|---------------4--2-----------------------------|
Eb|---------------------0----0--0--0--0--0--0--0---|


                                               
Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|------------------------------------------------|
Eb|--2--2--2--2--2--2--2--2--4---------------------|



Rhythm Fig. 4
                                               
Gb|------------------------------------------------|
Db|------------------------------------------------|
Ab|--2/4---4----4----2--0------0----2----2---------|
Eb|------------------------------------------------|



Rhythm Fig. 5 
                                               
Gb|------------------------------------------------|
Db|-----------------------------------------0------|
Ab|--2/4---4----4----4--2------2----2----2---------|
Eb|------------------------------------------------|



C'MON AND LOVE ME
Paul Stanley

[Rhy. Fig 1a]
[Rhy. Fig 1b]

[Rhy. Fig 2]
She's a dancer, a romancer
I'm a Capricorn and she's a Cancer
She saw my picture in a music magazine
When she met me, said she'd get me
Touched her hips and told me that she'd let me
I took her hand, baby this is what I said

[Rhy. Fig 3a]
I said baby, baby, don't you hesitate
'Cause I just can't wait
Lady, won't you take me down to my knees
You can do what you please
Come on and love me

[Rhy. Fig 1b]

[Rhy. Fig 2]
I'm a man, I'm no baby
And you're lookin' every inch a lady
You're good lookin' and you're lookin' like you should be good
You were distant, now you're nearer
I can feel your face inside the mirror
The lights are out and I can feel you, baby, with my hand

[Rhy. Fig 3b]
So baby, baby, don't you hesitate
'Cause I just can't wait
Lady, won't you take me down to my knees
You can do what you please

[Rhy. Fig 4] (3x)
Come on and love me
Come on and love me
Come on and love me
[Rhy. Fig 5]
Come on and love me

[Rhy. Fig 3c]
Baby, baby, don't you hesitate
'Cause I just can't wait
Lady, won't you take me down to my knees
You can do what you please

[Rhy. Fig 4]
Come on and love me
Come on and love me

(repeat and fade)




_______________________________________________________
Contribuição: Flavio Francisco de Moura(flaviomoura@uol.com.br)